Page:Ossendowski - The Fire of Desert Folk.djvu/240

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THE FIRE OF DESERT FOLK

ever, see, in the midst of the velvet green of the datepalms and across the shimmering Tensift River, a tower raising itself like the needle of Cleopatra on the deep blue background of the sky. It was Kutubia, the minaret of the mosque built by Yakub el-Mansur and designed by the creator of the Giralda in Seville and of the tragic tower of Hassan in Rabat.

As the road pierced the oasis and was flanked by the tall, feathery palms, Phoenix dactylifera, with their luscious burden of red or golden fruit, we discovered that the whole oasis was divided by adobe walls into rectangles of private property. Pools and streams of water was everywhere in the landscape, with men, sheep and camels completing a picture that made a very definite impression of calm, welfare and hospitality. It was so picturesque on every side, there was such an abundance of gurgling water, singing birds and inviting shade and the sky was so bright and clear that there seemed no place left in the life of the verdant spot for hatred and strife. We were at once caught up by the spirit of it all and forgot our fatigue, though we had completed a run of over one hundred forty miles. We entered the Gheliz quarter, where the French live, and sought out our hostelry, the Hôtel du Pacha, set in the midst of eucalyptus-trees and palms. We were no more than in our quarters when the hotel manager rushed up and led us off in haste to some rooms with a southern exposure, chattering excitedly the while:

"Come quick, come quick! It never occurs at this time of year."

The ranges of the High Atlas, reaching up one above