The time has hardly come when we can state precisely what this legitimate conception is, but we can see in a general way what it must be like. For this purpose, it is only necessary to take our ordinary common-sense statements and reword them without the assumption of permanent substance. We say, for example, that things change gradually—sometimes very quickly, but not without passing through a continuous series of intermediate states. What this means is that, given any sensible appearance, there will usually be, if we watch, a continuous series of appearances connected with the given one, leading on by imperceptible gradations to the new appearances which common-sense regards as those of the same thing. Thus a thing may be defined as a certain series of appearances, connected with each other by continuity and by certain causal laws. In the case of slowly changing things, this is easily seen. Consider, say, a wall-paper which fades in the course of years. It is an effort not to conceive of it as one “thing” whose colour is slightly different at one time from what it is at another. But what do we really know about it? We know that under suitable circumstances—i.e. when we are, as is said, “in the room”—we perceive certain colours in a certain pattern: not always precisely the same colours, but sufficiently similar to feel familiar. If we can state the laws according to which the colour varies, we can state all that is empirically verifiable; the assumption that there is a constant entity, the wall-paper, which “has” these various colours at various times, is a piece of gratuitous metaphysics. We may, if we like, define the wall-paper as the series of its aspects. These are collected together by the same motives which led us to regard the wall-paper as one thing, namely a combination of sensible continuity and causal connection. More
