together of stirrup irons, seemed shut off as suddenly and completely as though a great sound-proof door had swung to behind them.
It was dark enough on the glaringest of days down in the lonely hollow or “pocket”, between two spurs, at the head of a blind gully behind Mount Buckaroo, where there was a more or less dusty patch, barely defined even in broad daylight by a spidery dog-legged fence on three sides, and a thin “two-rail” (dignified with the adjective “split-rail”—though rails and posts were mostly of saplings split in halves) running along the frontage. In about the middle of it a little slab hut, overshadowed by a big stringy-bark shed, was pointed out as Johnny Mears’s Farm.
“Black as—as charcoal,” said Johnny Mears. He had never seen coal, and was a cautious man, whose ideas came slowly. He stooped, close by the fence, with his hands on his knees, to “sky” the loom of his big shed and so get his bearings. He had been to have a look at the penned calves, and see that all slip-rails were up and pegged, for the words of John Mears junior, especially when delivered rapidly and shrilly and in injured tones, were not to be relied upon in these matters.
“It’s hot enough to melt the belly out of my fiddle,” said Johnny Mears to his wife, who sat on a three-legged stool by the rough table in the little whitewashed “end-room”, putting a patch of patches over the seat of a pair of moleskin knickerbockers. He lit his pipe, moved a stool to the side of the great empty fireplace, where it looked cooler—might have been cooler on account of a possible draught suggested by
