began to stir and rearrange themselves. He grew suddenly aware of this enveloping shroud of sand—as the raw material of bodily expression: Form.
The sand was in his imagination and his mind. Shaking loosely the folds of its gigantic skirts, it rose; it moved a little towards him. He saw the eternal countenance of the Desert watching him—immobile and unchanging behind these shifting veils the winds laid so carefully over it. Egypt, the ancient Egypt, turned in her vast sarcophagus of Desert, wakening from her sleep of ages at the Belief of approaching worshippers.
Only in this insignificant manner could he express a letter of the terrific language that crowded to seek expression through his soul.… He closed the shutters and carefully fastened them. He turned to go back to bed, curiously trembling. Then, as he did so, the whole singular delusion caught him with a shock that held him motionless. Up rose the stupendous apparition of the entire Desert and stood behind him on that balcony. Swift as thought, in silence, the Desert stood on end against his very face. It towered across the sky, hiding Orion and the moon; it dipped below the horizons. The whole grey sheet of it rose up before his eyes and stood. Through its unfolding skirts ran ten thousand eddies of swirling sand as the creases of its grave-clothes smoothed themselves out in moonlight. And a bleak, scarred countenance, huge as a planet, gazed down into his own.…
Through his dreamless sleep that night two things lay active and awake … in the subconscious part that knows no slumber. They were incongruous. One was evil, small and human; the other unearthly and sublime. For the memory of
