dropping as it seemed out of eternity, had robbed him of his chief possession—fashioner of the greatest dream of all. The splash and murmur of the water, the drone of the creaking wheel in flood time, the white weed that gathered thickly over the pond formed by the ancient dam, and the red-brown tint of walls and rotting roof—all were like the colour of the water's singing, the colour of her memory, and the colour of his thinking too, made sweetly visible.
Indeed, despite his best control, she still lurked everywhere, so that he could not recall a single experience of the past years without at the same time some vivid aspect of the scenery, as she saw it, rising up clearly to accompany it. In every corner stood the ghost of a still recoverable mood. Here he had suffered, fought, and prayed; here he had loved and hated; here he had lost and found. All the kaleidoscope aspects of growing older, of hopes and fears and disappointments, were visualised for him in terms of the Place where he had met and dealt with them for his soul's good or ill. But behind them always stood that Figure in Chief; it was she who directed the ghostly band; and she it was who coaxed the romantic scenery thus into the support of all his personal moods, and continued to do so with even greater power after she was gone.
His respect for the Place seemed, therefore, involved with his respect for himself and her. That tumbling stream had an inalienable right of way; that mill of golden-brown claimed ancient lights as truly as any mental palace of thoughts within his mind; and the little dips and rises in the woods were as sacred—so he had always felt—as were those twists and turns of character that he called his views of life and his beliefs. This blending of himself with
