"Friend," said the Count, "beautiful nature is the form, the ground, the material, but the soul is inspiration, which rises on the wings of imagination, is polished by taste, and is supported by rules. Nature is not enough, enthusiasm is not enough; the artist must fly away into the spheres of the ideal! Not everything that is beautiful can be painted! You will learn all this from books in the course of time. As for painting: for a picture one requires viewpoints, grouping, ensemble—and sky, the Italian sky! Hence in landscape art Italy was, is, and will be the country of painters. Hence also, except for Breughel—not Van der Helle, but the landscapist, for there are two Breughels55—and except for Ruysdael, in the whole north where has there been a landscape artist of the first rank? The sky, the sky is necessary."
"Our painter Orlowski,"56 interrupted Telimena, "had a Soplica's taste. (You must know that this is the malady of the Soplicas, not to like anything except their own country.) Orlowski, who spent his life in St. Petersburg, a famous painter (I have some of his sketches in my desk), dwelt close by the Emperor, in his court, as in paradise; and, Count, you cannot believe how homesick he was, he loved constantly to call to mind the days of his youth; he glorified everything in Poland, land, sky, forests."
"And he was right," cried Thaddeus warmly; "that Italian sky of yours, so far as I have heard of it, is blue and clear, but yet is like frozen water: are not wind and storm a hundred times more beautiful? In our land, if you merely raise your head, how many sights meet your eye! how many scenes and pictures from the very play of the clouds! For each cloud is different; for
