Page:Papers on Literature and Art (Fuller).djvu/249

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LIVES OF THE GREAT COMPOSERS.
63

said, now greet our countryman Powers, which not many years since made their halls resound with the cry, “there is no tenor like Braham,” was heard in shouts of “Viva il caro Sassone!” at every new composition given by Handel on their stage. The people followed him with rapture; the nobles had musical festivals prepared in his honour; Scarlatti’s beautiful homage has been mentioned above; and the celebrated Corelli displayed the same modest and noble deference to his instructions. He too, addressed him as “Caro Sassone.”

A charming anecdote of Corelli is not irrelevant here.

“A little incident relating to Corelli shows his character so strongly, that I shall be excused for reciting it, though foreign to our present purpose. He was requested one evening to play, to a large and polite company, a fine solo which he had lately composed. Just as he was in the midst of his performance, some of the number began to discourse together a little unseasonably; Corelli gently lays down his instrument. Being asked whether anything was the matter with him; nothing, he replied, he was only afraid that he interrupted the conversation. The elegant propriety of this silent censure, joined with his genteel and good-humoured answer, afforded great pleasure, even to the persons who occasioned it. They begged him to resume his instrument, assuring him at the same time, that he might depend on all the attention which the occasion required, and which his merit ought before to have commanded.”—Life of Handel.

His six years’ residence in Italy educated Handel’s genius into a certainty, vigour and command of resources that made his after career one track of light. The forty years of after life are one continued triumph, a showering down of life and joy on an expectant world.

Although Germany offered every encouragement both from people and princes, England suited him best, and became the birthplace of his greatest works. For nine years after he began to conduct the opera-house, his success with the public and happiness in his creative life appears to have been perfect. Then