forms of national and individual greatness. A model was before us in the great Latins of simple masculine minds seizing upon life with unbroken power. The stamp both of nationality and individuality was very strong upon them; their lives and thoughts stood out in clear and bold relief. The English character has the iron force of the Latins, but not the frankness and expansion. Like their fruits, they need a summer sky to give them more sweetness and a richer flavour. This does not apply to Shakspeare, who has all the fine side of English genius, with the rich colouring, and more fluent life, of the Catholic countries. Other poets, of England also, are expansive more or less, and soar freely to seek the blue sky, but take it as a whole, there is in English literature, as in English character, a reminiscence of walls and ceilings, a tendency to the arbitrary and conventional that repels a mind trained in admiration of the antique spirit. It is only in later days that we are learning to prize the peculiar greatness which a thousand times outweighs this fault, and which has enabled English genius to go forth from its insular position and conquer such vast dominion in the realms both of matter and of mind.
Yet there is, often, between child and parent, a reaction from excessive influence having been exerted, and such an one we have experienced, in behalf of our country, against England. We use her language, and receive, in torrents, the influence of her thought, yet it is, in many respects, uncongenial and injurious to our constitution. What suits Great Britain, with her insular position and consequent need to concentrate and intensify her life, her limited monarchy, and spirit of trade, does not suit a mixed race, continually enriched with new blood from other stocks the most unlike that of our first descent, with ample field and verge enough to range in and leave every impulse free, and abundant opportunity to develope a genius, wide and full as our rivers, flowery, luxuriant and impassioned as our vast prairies,
