Page:Papers on Literature and Art (Fuller).djvu/32

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PAPERS ON LITERATURE AND ART.

such as might easily have been taken from their works. But the thoughts imputed to them they might have spoken, only in better and more concise terms, and the facts—are facts. So let this be gently received with the rest of the modern tapestries. We can no longer weave them of the precious materials princes once furnished, but we can give, in our way, some notion of the original design.


It was an afternoon of one of the longest summer days. The sun had showered down his amplest bounties, the earth put on her richest garment to receive them. The clear heavens seemed to open themselves to the desire of mortals; the day had been long enough and bright enough to satisfy an immortal.

In a green lane leading from the town of Salisbury, in England, the noble stranger was reclining beneath a tree. His eye was bent in the direction of the town, as if upon some figure approaching or receding; but its inward turned expression showed that he was, in fact, no longer looking, but lost in thought.

“Happiness!” thus said his musing mind, “it would seem at such hours and in such places as if it not merely hovered over the earth, a poetic presence to animate our pulses and give us courage for what must be, but sometimes alighted. Such fulness of expression pervades these fields, these trees, that it excites, not rapture, but a blissful sense of peace. Yet, even were this permanent in the secluded lot, would I accept it in exchange for the bitter sweet of a wider, freer life? I could not if I would; yet, methinks, I would not if I could. But here comes George, I will argue the point with him.”

He rose from his seat and went forward to meet his brother, who at this moment entered the lane.

The two forms were faithful expressions of their several lives. There was a family likeness between them, for they shared in that beauty of the noble English blood, of which, in these days,