Page:Papers on Literature and Art (Fuller).djvu/330

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PAPERS ON LITERATURE AND ART.

much of value. Though Hawthorne has now a standard reputation, both for the qualities we have mentioned and the beauty of the style in which they are embodied, yet we believe he has not been very widely read. This is only because his works have not been published in the way to ensure extensive circulation in this new, hurrying world of ours. The immense extent of country over which the reading (still very small in proportion to the mere working) community is scattered, the rushing and pushing of our life at this electrical stage of development, leave no work a chance to be speedily and largely known that is not trumpeted and placarded. And, odious as are the features of a forced and artificial circulation, it must be considered that it does no harm in the end. Bad books will not be read if they are bought instead of good, while the good have an abiding life in the log-cabin settlements and Red River steamboat landings, to which they would in no other way penetrate. Under the auspices of Wiley and Putnam, Hawthorne will have a chance to collect all his own public about him, and that be felt as a presence which before was only a rumor.

The volume before us shares the charms of Hawthorne’s earlier tales; the only difference being that his range of subjects is a little wider. There is the same gentle and sincere companionship with Nature, the same delicate but fearless scrutiny of the secrets of the heart, the same serene independence of petty and artificial restrictions, whether on opinions or conduct, the same familiar, yet pensive sense of the spiritual or demoniacal influences that haunt the palpable life and common walks of men, not by many apprehended except in results. We have here to regret that Hawthorne, at this stage of his mind’s life, lays no more decisive hand upon the apparition—brings it no nearer than in former days. We had hoped that we should see, no more as in a glass darkly, but face to face. Still, still brood over his page the genius of revery and the nonchalance of Nature, rather than