is with which art has such intimate relationship.
It is not an important question as it stands. For Art, like life itself, has grown by its own impulse, and man has taken his pleasure in it without definitely knowing what it is. And we could safely leave it there, in the subsoil of consciousness, where things that are of life are nourished in the dark.
But we live in an age when our world is turned inside out and when whatever lies at the bottom is dragged to the surface. Our very process of living, which is an unconscious process, we must bring under the scrutiny of our knowledge,—even though to know is to kill our object of research and to make it a museum specimen.
The question has been asked, "What is Art?" and answers have been given by various persons. Such discussions introduce elements of conscious purpose into the region where both our faculties of creation and enjoyment have been spontaneous and half-conscious. They aim at supplying us with very definite standards by which to guide our judgment of art productions. Therefore we have heard judges in the modern time giving verdict, according to some special rules of their
