scenes and friends of his youth: even the parting look which he casts on the Trojan plains, and their familiar springs and streams, is one of tenderness: his last words an affectionate farewell.
All this is so evident, that it must have been at least partially felt by every intelligent reader, and it would probably have produced a greater effect than it seems to have done on the judgements that have been formed on the play, if a strong impression of an opposite kind had not been made on most minds by the intermediate scene, in which, after the Chorus has deplored the inflexible stubbornness with which Ajax has rejected the intreaties of Tecmessa, the hero in a single speech announces the intention with which he finally quits the camp to seek a solitary spot on the seashore. Till within a few years all critics, from the Greek scholiast downwards, had agreed in their general view of the object of this speech, which they have supposed to be an artifice by which Ajax dissembles his real feelings and purpose. They have been equally unanimous on another point, of no great importance in itself, but interesting from its bearing on the former: they imagine that, after the scene with the child, both Ajax and Tecmessa retire from the stage, and that the former comes out of the tent after the Chorus has ended its mournful strain. And now, according to the common opinion, in order to pacify his friends, and to secure himself from interruption in the deed he is about to perform, he affects to have been softened by the prayers of Tecmessa, and to have consented to spare his life: in signifying this change of mind, he at the same time declares his resolution of proceeding to purify himself from the stain of his frantic slaughter, and to make his peace, if possible, with the offended goddess, and of paying due homage in future to the Atridæ, whom he acknowledges as his legitimate superiors. He then dismisses Tecmessa into the tent, and leaves the Chorus to give vent to its delight in a strain of rapturous joy. This speech, if considered as ironical, undoubtedly indicates not merely immovable firmness of resolution, but a spirit of haughty defiance, a bitter disdain of all restraints, human or divine, which would prove that, if any change had taken place in
