Page:Pictures From Italy.djvu/253

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upon the ashes of the former town destroyed by an eruption of Vesuvius, within a hundred years; and past the flat-roofed houses, granaries, and maccaroni manufactories; to Castel-a-Mare, with its ruined castle, now inhabited by fishermen, standing in the sea upon a heap of rocks. Here, the railroad terminates; but, hence we may ride on, by an unbroken succession of enchanting bays, and beautiful scenery, sloping from the highest summit of Saint Angelo, the highest neighbouring mountain, down to the water's edge—among vineyards, olive trees, gardens of oranges and lemons, orchards, heaped-up rocks, green gorges in the hills—and by the bases of snow-covered heights, and through small towns with handsome, dark- haired women at the doors—and past delicious summer villas—to Sorrento, where the Poet Tasso drew his inspiration from the beauty surrounding him. Returning, we may climb the heights above Castel-a-Mare, and looking down among the boughs and leaves, see the crisp water glistening in the sun; and clusters of white houses in distant Naples, dwindling, in the great extent of prospect, down to dice. The coming back to the city, by the beach again, at sunset: with the glowing sea on one side, and the darkening mountain, with its smoke and flame, upon the other: is a sublime conclusion to the glory of the day.

That church by the Porta Capuana—near the old fishermarket in the dirtiest quarter of dirty Naples where the revolt of Massaniello began—is memorable for having been the scene of one of his earliest proclamations to the people, and is particularly remarkable for