dians were acting there, when we arrived: and after their departure, a second-rate opera company came. The great season is not until the carnival time—in the spring. Nothing impressed me, so much, in my visits here (which were pretty numerous) as the uncommonly hard and cruel character of the audience, who resent the slightest defect, take nothing good-humouredly, seem to be always lying in wait for an opportunity to hiss, and spare the actresses as little as the actors. But, as there is nothing else of a public nature at which they are allowed to express the least disapprobation, perhaps they are resolved to make the most of this opportunity.
There are a great number of Piedmontese Officers too, who are allowed the privilege of kicking their heels in the pit, for next to nothing: gratuitous, or cheap accommodation for these gentlemen being insisted on, by the Governor, in all public or semi-public entertainments. They are lofty critics in consequence, and infinitely more exacting than if they made the unhappy manager's fortune.
The Teatro Diurno, or Day Theatre, is a covered stage in the open air, where the performances take place by daylight, in the cool of the afternoon; commencing at four or five o'clock, and lasting some three hours. It is curious, sitting among the audience, to have a fine view of the neighbouring hills and houses, and to see the neighbours at their windows looking on, and to hear the bells of the churches and convents ringing at most complete cross-purposes with the scene. Beyond this, and the novelty of seeing a play in the fresh pleasant