tion; but all such imaginings must be contributory to that pure, exalted idea of his father, which, in his soul, was based upon the known acknowledged facts of his father's life.
V
If, when the mind roams up and down in the ever-elastic regions of evanescent invention, any definite form or feature can be assigned to the multitudinous shapes it creates out of the incessant dissolvings of its own prior creations; then might we here attempt to hold and define the least shadowy of those reasons, which about the period of adolescence we now treat of, more frequently occurred to Pierre, whenever he essayed to account for his mother's remarkable distaste for the portrait. Yet will we venture one sketch.
Yes—sometimes dimly thought Pierre—who knows but cousin Ralph, after all, may have been not so very far from the truth, when he surmised that at one time my father did indeed cherish some passing emotion for the beautiful young Frenchwoman. And this portrait being painted at that precise time, and indeed with the precise purpose of perpetuating some shadowy testification of the fact in the countenance of the original: therefore, its expression is not congenial, is not familiar, is not altogether agreeable to my mother: because, not only did my father's features never look so to her (since it was afterward that she first became acquainted with him), but also, that certain womanliness of women; that thing I should perhaps call a tender jealousy, a fastidious vanity, in any other lady, enables her to perceive that the glance of the face in the portrait, is not, in some nameless way, dedicated to herself, but to some other and unknown object; and therefore, is she impatient of it, and it is repelling to her; for she must naturally be intolerant
