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RETROSPECTIVE
119
indentified each other, and, as it were, melted into each other, and thus interpenetratingly uniting, presented lineaments of an added supernaturalness.
On all sides, the physical world of solid objects now slidingly displaced itself from around him, and he floated into an ether of visions; and, starting to his feet with clenched hands and outstaring eyes at the transfixed face in the air, he ejaculated that wonderful verse from Dante, descriptive of the two mutually absorbing shapes in the Inferno:
'Ah! how dost thou change,
Agnello! See! thou art not double now,
Nor only one!'