gloom. Utter darkness is then his light, and cat-like he distinctly sees all objects through a medium which is mere blindness to common vision. Wherefore have Gloom and Grief been celebrated of old as the selectest chamberlains to knowledge? Wherefore is it, that not to know Gloom and Grief is not to know aught that an heroic man should learn?
By the light of that gloom, Pierre now turned over the soul of Hamlet in his hand. He knew not—at least, felt not—then, that Hamlet, though a thing of life, was, after all, but a thing of breath, evoked by the wanton magic of a creative hand, and as wantonly dismissed at last into endless halls of hell and night.
It is the not impartially bestowed privilege of the more final insights, that at the same moment they reveal the depths, they do, sometimes, also reveal—though by no means so distinctly—some answering heights. But when only midway down the gulf, its crags wholly conceal the upper vaults, and the wanderer thinks it all one gulf of downward dark.
Judge ye, then, ye Judicious, the mood of Pierre, so far as the passage in Hamlet touched him.
IV
Torn into a hundred shreds the printed pages of Hell and Hamlet lay at his feet, which trampled them, while their vacant covers mocked him with their idle titles. Dante had made him fierce, and Hamlet had insinuated that there was none to strike. Dante had taught him that he had bitter cause of quarrel; Hamlet taunted him with faltering in the fight. Now he began to curse anew his fate, for now he began to see that after all he had been finely juggling with himself, and postponing with himself, and in meditative sentimentalities wasting the moments consecrated to instant action.