thus, and pain thee thus. Forgive me, Pierre; thy changed face hath chased the other from me; the fright of thee exceeds all other frights. It does not so haunt me now. Press hard my hand; look hard on me, my love, that its last trace may pass away. Now I feel almost whole again; now, 'tis gone. Up, my Pierre; let us up, and fly these hills, whence, I fear, too wide a prospect meets us. Fly we to the plain. See, thy steeds neigh for thee—they call thee—see, the clouds fly down toward the plain—lo, these hills now seem all desolate to me, and the vale all verdure. Thank thee, Pierre.—See, now, I quit the hills, dry-cheeked; and leave all tears behind to be sucked in by these evergreens, meet emblems of the unchanging love, my own sadness nourishes in me. Hard fate, that Love's best verdure should feed so on tears!'
Now they rolled swiftly down the slopes; nor tempted the upper hills; but sped fast for the plain. Now the cloud hath passed from Lucy's eye; no more the lurid slanting light forks upward from her lover's brow. In the plain they find peace, and love, and joy again.
'It was the merest, idling, wanton vapour, Lucy!'
'An empty echo, Pierre, of a sad sound, long past. Bless thee, my Pierre!'
'The great God wrap thee ever, Lucy. So, now, we are home.'
VI
After seeing Lucy into her aunt's most cheerful parlour, and seating her by the honeysuckle that half clambered into the window there; and near to which was her easel for crayon-sketching, upon part of whose frame Lucy had cunningly trained two slender vines, into whose earth-filled pots two of the three legs of the easel were inserted; and sitting down himself by her, and by his pleasant, lightsome chat, striving to chase the last trace
