OF "THE NOVEL"
I do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre and Jean. I propose to treat of novels in general.
I am not the only writer who finds himself taken to task in the same terms each time he brings out a new book. Among many laudatory phrases, I invariably meet with this observation, penned by the same critics: "The greatest fault of this book is that it is not, strictly speaking, a novel."
The same form might be adopted in reply:
"The greatest fault of the writer who does me the honour to review me is that he is not a critic."
For what are, in fact, the essential characteristics of a critic?
It is necessary that, without preconceived notions, prejudices of "School," or partisanship for
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