taught the way of dancing in arms; but more truly from that jumping dance which the Salii themselves use, when in the month of March they carry the sacred targets through the city; at which procession they are habited in short frocks of purple, girt with a broad belt studded with brass; on their heads they wear a brass helmet, and carry in their hands short daggers, which they clash every now and then against the targets. But the chief thing is the dance itself. They move with much grace, performing, in quick time and close order, various intricate figures, with a great display of strength and agility. The targets were called Ancilia from their form; for they are not made round, nor like proper targets, of a complete circumference, but are cut out into a wavy line, the ends of which are rounded off and turned in at the thickest part towards each other; so that their shape is curvilinear, or, in Greek, ancylon; or the name may come from ancon, the elbow, on which they are carried. Thus Juba writes, who is eager to make it Greek. But it might be, for that matter, from its having come down anecathen, from above; or from its akesis, or cure of diseases; or auchmon lysis, because it put an end to a drought; or from its anaschesis, or relief from calamities, which is the origin of the Athenian name Anaces, given to Castor and Pollux; if we must, that is, reduce it to Greek. The reward which Mamurius received for his art was to be mentioned and commemorated in the verses which the Salii sang, as they danced in their arms through the city; though some will have it that they do not say Veturium Mamurium, but Veterem Memoriam. ancient remembrance.
After Numa had in this manner instituted these several orders of priests, he erected, near the temple of Vesta, what is called to this day Regia, or king's house, where he spent the most part of his time, performing divine service, instructing the priests, or conversing with them on sacred
