Page:Plutarch's Lives (Clough, v.3, 1865).djvu/341

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
CRASSUS.
333

it, yet all this was nothing in comparison of his slaves, such a number and variety did he possess of excellent readers, amanuenses, silversmiths, stewards, and table-waiters, whose instruction he always attended to himself, superintending in person while they learned, and teaching them himself, accounting it the main duty of a master to look over the servants, that are, indeed, the living tools of housekeeping; and in this, indeed, he was in the right, in thinking, that is, as he used to say, that servants ought to look after all other things, and the master after them. For economy, which in things inanimate is but money-making, when exercised over men becomes policy.[1] But it was surely a mistaken judgment, when he said no man was to be accounted rich that could not maintain an army at his own cost and charges, for war, as Archidamus well observed, is not fed at a fixed allowance, so that there is no saying what wealth suffices for it, and certainly it was one very far removed from that of Marius; for when he had distributed fourteen acres of land a man, and understood that some desired more, "God forbid," said he, "that any Roman should think that too little which is enough to keep him alive and well."

Crassus, however, was very eager to be hospitable to strangers; he kept open house, and to his friends he would lend money without interest, but called it in precisely at the time; so that his kindness was often thought worse than the paying the interest would have been. His entertainments were, for the most part, plain and citizenlike, the company general and popular; good taste and kindness made them pleasanter than sumptuosity would have

  1. Œconomia, or the art of keeping and managing a house, household and property,—husbandry in the old sense of the word,—so long as its subject is inanimate things, is merely an art of profit, or money-making—chrematistic, but as it extends its exercise to men, it rises into the political or social art, the art of government.