the source from which every thing primarily flows. Epic Poets, in order that their mode of composition may accord with the elevation of their subject, represent themselves as singing from the inspiration of the Muse, Arma virum que cano; but this is a fiction, in modern times, of slight value: the Iliad or the Paradise Lost would gain little in our estimation by being chaunted. The other poets who belong to this class are commonly content to tell their tale;—so that of the whole it may be affirmed that they neither require nor reject the accompaniment of music.
2ndly, The Dramatic,—consisting of Tragedy, Historic Drama, Comedy, and Masque; in which the poet does not appear at all in his own person, and where the whole action is carried on by speech and dialogue of the agents; music being admitted only incidentally and rarely. The Opera may be placed here, in as much as it proceeds by dialogue; though depending, to the degree that it does, upon mu-
