images within the mind the phenomena of sensation. A man has fancy in proportion as he can call up, connect, or associate, at pleasure, those internal images (φανταζειν is to cause to appear) so as to complete ideal representations of absent objects. Imagination is the power of depicting, and fancy of evoking and combining. The imagination is formed by patient observation; the fancy by a voluntary activity in shifting the scenery of the mind. The more accurate the imagination, the more safely may a painter, or a poet, undertake a delineation, or a description, without the presence of the objects to be characterized. The more versatile the fancy, the more original and striking will be the decorations produced.—British Synonyms discriminated, by W. Taylor.
Is not this as if a man should undertake to supply an account of a building, and be so intent upon what he had discovered of the foundation as to conclude his task without once looking up at the superstructure? Here, as in other
