Kipps and Mr. Polly. Mr. Wrenn, age thirty-five, sales-entry clerk in the Souvenir and Art Novelty Company of New York, is described as "a meek little bachelor—a person of inconspicuous blue ready-made suits, and a small unsuccessful mustache." What makes this little clerk significant is a rudimentary poetic impulse. With a hunger for adventure stimulated by the moving-picture and the work of Mr. Kipling and Jack London, the hero gently revolts from the routine of office, visits England in a cattleboat, and finds romance incarnate in a red-haired art student in a green crash smock, Istra Nash, who amuses herself with his guileless Philistinism; but he returns in the end to a good domestic Nelly and the evening paper with seven cents' worth of potato salad from the delicatessen shop.
In this, his first picture of Main Street, Mr. Lewis utilizes a formula which is perhaps more or less familiar to students of the Saturday Evening Post. But already one can mark his possession of faculties which are to give new interest and seriousness to the ancient tale of the grocer's apprentice. Here is a mastery of the racy American vernacular unequalled since O. Henry flourished; vivid and abundant observation; the realistic "discovery" of the cattle-ship. Here the Middle-Western Rotarian is introduced in a single synoptic sentence: "An American who had a clipped mustache, brisk manners, a Knight-of-Pythias pin, and a mind for duck-shooting, hardware selling, and cigars." Here is an imag-
