IV.—ORATOR AND POET, ACTOR AND DRAMATIST.
THINGS which during evolution become distinct were of course originally mingled: the process of evolution implies this. Already we have seen that in the triumphal reception of the conqueror, originally spontaneous and rude but in course of time becoming an established ceremonial elaborated into definite forms, there were germs of various arts and the professors of them. With the beginnings of dancing and music just described, were joined the beginnings of oratory, poetry, acting and the drama; here, for convenience, to be treated of separately. All of them manifestations of exalted emotion, at first miscellaneous and confused in their display, they only after many repetitions became regularized and parted out among different persons.
With the shouts of applause greeting David and Saul, came, from the mouths of some, proclamations of their great deeds; as, by Miriam, there had been proclamation of Yahveh's victory over the Egyptians. Such proclamations, at first brief and simple, admit of development into long and laudatory speeches; and, with utterance of these, begins the orator. Then among orators occasionally arises one more fluent and emotional than ordinary, whose oration, abounding in picturesque phrases and figures of speech, grows from time to time rhythmical, and hence the poet. The laudations, comparatively simple in presence of the living ruler, and afterward elaborated in the supposed presence of the apotheosized ruler, are, in the last case, sometimes accompanied by mimetic representations of his achievements. Among children, everywhere much given to dramatizing the doings of adults, we