The persistence of a higher birth rate in these districts makes such relief to an ever-increasing population necessary. Finally, why not apply the same mode of proof to the artistic or literary attributes of population? Turquan[1] has recently mapped the awards made by the Salon, at Paris, according to the place of birth of the artist. We reproduce this directly herewith, not because it proves anything racially, but because it might as well be adduced as proof of the artistic bent of Teutonism in France as many another map above mentioned. For, broadly viewed, the artistic instinct, measured by the canons
of the Salon's judges, seems to cling persistently, as Turquan concludes, to the fertile river basins, which are the great centers of Teutonic populations. Nevertheless, we are convinced, despite the geographical coincidence, that it is not the factor of race, but rather of social environment, education, the inspiration of contiguous culture, which is really the responsible agent in the case. That it is not race but rather circumstances which makes for these higher things in civilization, we may, I think, prove, if we but include a number of different countries within the purview of our comparisons. We are fortunate in possessing an artistic census of Italy, not incom-
- ↑ La Statistique aux Salons, Revue Politique et Littéraire, Paris, série 4, vi, 1896, pp. 207 seq.
