before being used, are covered with a thick coat of kaolin, so that they are quite stiff. With these garments belongs a reed mat sufficiently large to envelop the small blanket and the sash.
So far as I am able to learn, the three pieces of this remarkable costume are never worn except on a single occasion, and at only one other time does the bride formally appear in any of them. About a month after the marriage ceremony has been performed, during which time she has been living with the family of her husband, she completes the marriage ceremony by returning to the house of her mother. This is termed "going home," and this will be her place of abode until she and her husband own a dwelling of
Grave of Child in Rock Crevice.
their own. For this ceremony she puts on the larger of the two blankets, which reaches almost to the ground and comes up high on the back of the head, covering her ears. The smaller blanket and the sash are rolled up in the mat, and with this in front of her on her two arms she begins her journey "home." This white cotton costume is probably a survival from times which antedate the introduction of wool into the Southwest.
Who makes all these garments, blankets, etc.? Not the women, as you might expect, but the men. A Hopi woman doesn't even make her own moccasins. If you will descend into one of the kivas
