Page:Popular Science Monthly Volume 59.djvu/73

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A STUDY OF BRITISH GENIUS.
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223 of the 902 eminent persons in our list may in one sense or another be termed precocious, and only thirty-seven are mentioned as not precocious. Many of the latter belong to the second group, as defined above—those who are already absorbed in their own lines of mental activity—and are really just as 'precocious' as the others; thus Cardinal Wiseman as a boy was 'dull and stupid, always reading and thinking;' Byron showed no aptitude for school work, but was absorbed in romance, and Landor, though not regarded as precocious, was already preparing for his future literary career. In a small but interesting group of cases, which must be mentioned separately, the mental development is first retarded and then accelerated; thus Chatterton up to the age of 6

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was, said his mother, 'little better than an absolute fool,' then he fell in love with the illuminated capitals of an old folio, at seven was remarkable for brightness and at ten was writing poems; Goldsmith, again, was a stupid child, but before he could write legibly he was fond of poetry and rhyming, and a little later he was regarded as a clever boy, while Fanny Burney did not know her letters at eight, but at ten was writing stories and poems.

Probably the greatest prodigies of infant precocity among these eminent persons were Cowley, Sir W. E. Hamilton, Wren and Thomas Young, three of these, it will seem, being men of the first order of genius. Barry and Thirlwall were also notable prodigies, and it would be easy to name a large number of others whose youthful proficiency in learning was of extremely unusual character. While, however, this is undoubtedly the case, it scarcely appears that any actual achievements of note date from early youth. It is only in mathematics, and to some extent in poetry, that originality may be attained at an early age, but even then it is very rare (Newton and Keats are examples), and is not notable until adolescence is completed.

The very marked prevalence of an early bent towards those lines of achievement in which success is eventually to be won is indicated by the fact that in those fields in which such bent is most easily perceived it is most frequently found. It is marked among the musicians, and would doubtless be still more evident if it were not that our knowledge concerning British composers is very incomplete. It is specially notable in the case of artists. It is reported of not less than thirty-five (or in the proportion of over 50 per cent.) that in art they were 'precocious.'

A certain proportion of the eminent persons on our list have followed the third course of early development as defined above, that is to say, they have been merely noted for physical energy in youth. Sir Joseph Banks was very fond of play till fourteen, when he was suddenly struck by the beauty of a lane; Isaac Barrow was chiefly noted for fighting at school; Chalmers was full of physical activity.