Page:Popular Science Monthly Volume 77.djvu/53

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THE SYMBOLISM OF DREAMS
47

even easy to accept. When we are faced by the question of definite and constant symbols it still remains true that scepticism is often called for. But there can be no manner of doubt that our dreams are full of symbolism.[1]

The conditions of dream-life, indeed, lend themselves with a peculiar facility to the formation of symbolism, that is to say, of images which, while evoked by a definite stimulus, are themselves of a totally different order from that stimulus. The very fact that we sleep, that is to say, that the avenues of sense which would normally supply the real image of corresponding order to the stimulus are more or less closed, renders symbolism inevitable.[2] The direct channels being thus largely choked, other allied and parallel associations come into play, and since the control of attention and apperception is diminished, such play is often unimpeded. Symbolism is the natural and inevitable result of these conditions.[3]

It might still be asked why we do not in dreams more often recognize the actual source of the stimuli applied to us. If a dreamer's feet are in contact with something hot, it might seem more natural that he should think of the actual hot-water bottle, rather than of an imaginary Etna, and that, if he hears a singing in his ears, he should argue the presence of the real bird he has often heard rather than a performance of Haydn's "Creation" which he has never heard. Here, however, we have to remember the tendency to magnification in dream imagery, a tendency which rests on the emotionality of dreams. Emotion is nor-

    "bizarre analogies of internal sensations in virtue of which certain vibrations of the nerves, certain instinctive movements of our viscera, correspond to sensations apparently quite different? According to this hypothesis experience would bring to light mysterious affinities, the knowledge of which might become a genuine science; ... and a real key to dreams would not be an unrealizable achievement if we could bring together and compare a sufficient number of observations."

  1. It is interesting to note that hallucinations may also be symbolic. Thus the Psychical Research Society's Committee on Hallucinations recognized a symbolic group and recorded, for instance, the case of a man who, when his child lies dying sees a blue flame in the air and hears a voice say "That's his soul" (Proceedings Society Psychical Research, August, 1894, p. 125).
  2. Maeder states that the tendency to symbolism in dreams and similar modes of psychic activity is due to "vague thinking in a condition of diminished attention." This is, however, an inadequate statement and misses the central point.
  3. In the other spheres in which symbolism most tends to appear, the same or allied conditions exist. In hallucinations, which (as Parish and others have shown) tend to occur in hypnagogic or sleep-like states, the conditions are clearly the same. The symbolism of an art, and notably music, is due to the very conditions of the art, which exclude any appeal to other senses. The primitive mind reaches symbolism through a similar condition of things, coming as the result of ignorance and undeveloped powers of apperception. In insanity these powers are morbidly disturbed or destroyed, with the same result.