more a craze and mania of the educated classes acting under a mistaken religious fanaticism against popular superstitions than a movement arising from the mass of the community. Still, in the Mastermaid, p. 71, the witch of a sister-in-law, who had rolled the apple over to the Prince, and so charmed him, was torn to pieces between twenty-four horses. The old queen in "The Lassie and her Godmother," p. 188, tries to persuade her son to have the young queen burnt alive for a wicked witch, who was dumb, and had eaten her own babes. In "East o' the Sun and West o' the Moon," p. 22, it is a wicked stepmother who has bewitched the prince. In "Bushy Bride," p. 322, the ugly bride charms the king to sleep, and is at last thrown, with her wicked mother, into a pit full of snakes. In "The Twelve Wild Ducks," p. 51, the wicked stepmother persuades the king that Snow-white and Rosy-red is a witch, and almost persuades him to burn her alive. In "Tatterhood," p. 345, a whole troop of witches come to keep their revels on Christmas eve in the Queen's Palace, and snap off the young Princess's head. It is hard, indeed, in tales where Trolls play so great a part, to keep witch and Troll separate; but the above instances will shew that the belief in the one, as distinct from the other, exists in the popular superstitions of the North.
The frequent transformation of men into beasts, in these Tales, is another striking feature. This power the gods of the Norseman possessed in common with those of all other mythologies. Europa and her Bull, Leda and her Swan, will occur at once to the reader's mind; and to come to closer resemblances, just as Athene appears in the
