battens over the grave, and the preacher, robed in white, was preparing to commence the service.
The mourners gathered close about the grave.
"Death, ain't yuh gots no shamed" called a clear, high, soprano voice; and immediately the mortal embodiment of infinite sorrow broke and swayed about the grave in the funeral chant. Three times the line swung its curve of song, shrill, keen, agonizing; then it fell away to a heart-wrenching minor on the burden:
"Take dis man an' gone—gone.
Death, ain't yuh gots no shame."
When the singing ceased, the burial service commenced, the preacher extemporizing fluently. Taking his rhythm from the hymn, he poured his words along its interminable reiteration until the cumulative effect rocked the entire company.
The final moment of the ritual arrived. The lid was removed from the casket, and the mourners were formed into line to pass and look upon the face of the dead. A very old, bent negress went first. She stooped, then suddenly, with a shriek of anguish, cast herself beside the coffin.
