dead sycamore leaves. My body swung with the motions of the horse, and Ump and Jud might have been a part of the thing that galloped under their saddles.
The art of riding a horse cannot be learned in half a dozen lessons in the academy on the avenue. It does not lie in the crook of the knee, or the angle of the spine. It does not lie in the make of the saddle or the multiplicity of snaffle reins, nor does it lie in the thirty-nine articles of my lady's riding-master. But it is embraced in the grasp of one law that may be stated in a line, and perhaps learned in a dozen years,—be a part of the horse.
The mastery of an art—be it what you like—does but consist in the comprehension of its basic law. The appreciation of this truth is indispensable. It cannot avail to ape the manner of the initiate. I have seen dapper youths booted and spurred, riding horses in the park, rising to the trot and holding the ball of the foot just so on the iron of the stirrup, and if the horse had bent his body they would have gone sprawling into the bramble bushes. Yet these youngsters believed that they were riding
