Page:Post--Dwellers in the hills.djvu/267

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On the Art of Going to Ruin
251

the abutment into the bridge, we caught a flickering picture of the group. I could make out Lem Marks as the man with the lantern, and Malan behind him, and I could see the brown shoulder of the horse and the legs of the rider, but the man's face was above the reach of the light. It was perhaps Parson Peppers.

They stopped at the sill of the bridge, and the man with the lantern began to examine the flooring and the ends of the logs set into the stone of the abutment.

He moved about slowly, holding the lantern close to the ground. Malan stopped by the horse. I could see the dingy light now moving in the bridge, now held over the edge of the abutment, now creeping along the borders of the sill.

Once it passed close to the horse, and I saw his hoofs clearly and his brown legs, and the club feet of Malan, and the gleam of an axe. They were on the far side of the river, and the howling of the water tumbled their voices into a sort of jumble. The man on the horse seemed to give some directions which were