our reason, man must often be delighted he cannot tell why, or his blunt feelings are not made to relish the beauties which nature, poetry, or any of the imitative arts, afford.
The imagery of the ancients seems naturally to have been borrowed from surrounding objects and their mythology. When a hero is to be transported from one place to another, across pathless wastes, is any vehicle so natural, as one of the fleecy clouds on which the poet has often gazed, scarcely conscious that he wished to make it his chariot? Again, when nature seems to present obstacles to his progress at almost every step, when the tangled forest and steep mountain stand as barriers, to pass over which the mind longs for supernatural aid; an interposing deity, who walks on the waves,
