Free Reeds, 35, 354, 477
French Pitch, 314
Frottola, The, 116, 147, 150
Fugue, The, 116, 197, 219-20, 222, 250, 255, 261, 316, 320-1
Fundamental Bass, 326
Galin-Chevé System, The, 621-2
Galliard, The, 155, 317
Gambists, 304
Games, The Greek, 52
Gamut, The, 69
Gavotte, The, 317
Genera, The Greek, 55-7
Germany, Music in—mediæval, 89-92, 103;
16th cent., 128-37;
17th 184-8,200-10, 223-8, 237, 240, 246;
18th, 250-68, 287-9, 335-66, 371-82, 396-9;
19th, 424-31, 453-4, 467-8, 483-6, 501-28, 535-45, 556-9, 562-79, 585-8, 591-3, 599-605, 608-10, 618-22, 630-3, 635-9
Gewandhaus Concerts, The (Leipsic), 301, 523-4
Gigue, The, 317
Glee, The, 150, 382-4, 486-9, 612
Graces, Keyboard, 319
Grand Opera, The (see Historical Opera)
Greek Church Music, 65, 486, 605
Greek Music, 45, 47, 50-60, 63-9, 72, 77, 151, 568
Gregorian Style, The, 64-7, 77-8, 605-6, 624-5
Guidonian Hand, The, 69, 75
Guilds, Musical, 91-2, 106, 142
Guitarists, 470
Hamburg, 185-8, 224-6, 262, 277, 287-8, 290, 292, 323-4
Handel and Haydn Society, The (Boston), 648
Hanover, 185, 187, 290
Harmonici, The, 59
Harmony—primitive, 27;
ancient, 47-52;
mediæval, 66, 107;
modern (see Theory)
Harpists, 353, 470, 597
Hebrew Music, 5-6
Hexachords, The, 67-9, 75
Historical Opera, The, 451-5, 497, 555, 562, 567
History, Musical, 17-21, 158, 244, 329, 400, 404-5, 490, 493-4, 623-8, 640, 652-4
Hochschule für Musik, The (Berlin), 602
Holland, Music in, 556, 558 (see Amsterdam)
Horn-Bands, Russian, 353
Hornists, 353, 470, 524, 597
Hungary, Music in, 557-8, 588-90, 645-6
Hymns, 64, 66, 73, 129-30, 139-40, 145
Imitation (see Canon, Counterpoint, Fugue)
Imperial Chapel, The (see Chapels)
Improvisation (see Extemporization)
Incorporated Society of Musicians, The (London), 615
India, Music in, 36-9
Institut fur Kirchenmusik (Berlin), 602
Institut Nationale (Paris), 447
Instrumental Music—16th cent., 116, 143, 153-5, 160;
17th, 165, 214-41, 245;
18th, 250-63, 294, 297-324, 341-54, 407;
19th, 413-21, 457-78, 483-5, 487, 496-7, 504-45, 568, 574-98, 604-5, 636-52
Instruments—primitive and semi-civilized, 28-31, 33-5, 37-9, 42-3;
ancient, 45-9, 52-4;
mediæval, 75-6, 87-8, 90, 102-7;
16th cent., 152-4;
17th, 214-8, 229-38;
18th, 297-300, 305-14;
19th, 470-8, 571, 626, 650
Instruments mentioned—Accordion, 35, 478;
Anklong, 40;
Antelope Harp, 44;
Apollonicon, 488;
Archicembalo, 157;
Archlute, 153-4;
Aulos, 53;
Bagpipe, 29, 37, 76, 107, 152;
Balalaïka, 230;
Barbitos, 53;
Baryton, 339;
Bass Clarinet, 475;
Basset-horn, 344-5, 475;
Bassoon, 300, 342, 345-6, 571;
Bass Tuba, 475;
Bathyphon, 475;
Bells, 33, 35, 49, 353;
Biwa, 34, 36;
Bombarde or Bomhart, 152, 300, 346;
Bows for Viols, 30, 354;
Bow-Zither, 35;
Bugle, 476;
Castanets, 29, 33, 37;
Chalil, 46;
Chatzotzerah, 46;
Che, 35;
Cheng, 35-6, 354, 477,
Chitarrone, 153-4;
Chiterna, 153;
Cittern or Cetera, 232;
Clappers, 29, 35, 49;
Clarinet, 344-6, 471, 475, 571;
Clarion, 152;
Clavichord, 152, 216, 231, 307-9;
Clavicylinder, 388, 401;
Clavicytherium, 309;
Claviharpe, 478;
Concertina, 478;
Cor anglais, 300, 342, 345-6, 571;
Crocodile Harp, 40;
Crwth or Chrotta, 74, 76, 231;
Cymbals, 33, 37, 46, 49;
Drums, 28-9, 33, 37, 45-6, 49, 152, 345-6, 571, 596-7;
Dulcimer, 35, 43-5, 49, 107, 152, 217, 229, 231, 309-11;
Euphon, 388, 401;
Euphonium, 476;
Flageolet, 29;
Flute, 28, 29, 35, 37, 45, 46, 49, 53, 107, 152, 297-9, 345-6, 471, 474, 571;
Galempong, 39;
Galoubet, 299;
Glockenspiel, 76;
Gongs, 29, 33, 35, 37, 49;
Gong-Piano, 33, 40;
Guitar, 38-9, 43-4, 153, 230, 232, 468, 477-8;
Hack-*brett, 152;
Harmonica, 386, 388;
Harmonichord, 478;
Harp, 30, 44-9, 74, 76, 88, 107, 152, 217, 229, 231, 468, 471, 475-7;
Harpolyre, 477;
Harpsichord, 152, 217, 231, 238, 308-9, 345;
Horn,
Page:Pratt - The history of music (1907).djvu/669
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