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PREFACE.
EIGHT years ago, in the close of the first volume of "Modern Painters," I ventured to give the following advice to the young artists of England:
"They should go to nature in all singleness of heart, and walk with her laboriously and trustingly, having no other thought but how best to penetrate her meaning; rejecting nothing, selecting nothing, and scorning nothing." Advice which, whether bad or good, involved infinite labor and humiliation in the following it; and was therefore, for the most part, rejected.
It has, however, at last been carried out, to the very letter, by a group of men who,
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