the difference between rudeness and tenderness in humanity, perceives, also more difference between the branches of an oak and willow than any one else would; and, therefore, necessarily the most striking character of the drawings themselves is the speciality of whatever they represent—the thorough stiffness of what is stiff, and grace of what is graceful, and vastness of what is vast; but through and beyond all this, the condition of the mind of the painter himself is easily enough discoverable by comparison of a large number of the drawings. It is singularly serene and peaceful; in itself quite passionless, though entering with ease into the external passion which it contemplates. By the effort of its will it sympathizes with tumult or distress, even in their extremes, but there is no tumult, no sorrow in itself, only a chastened and exquisitely peaceful cheerfulness, deeply meditative; touched without loss of its own perfect balance, by sadness on the one side, and stooping to playfulness upon the other. I shall never cease to regret the destruction, by fire, now several years ago, of a drawing