Page:Primitive Culture Vol 1.djvu/151

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FUTILITY OF MAGIC ARTS.
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possible she could be guilty of any such atrocity. We declared her to be perfectly innocent, and as the Moon was so well aspected from the tenth house, we declared that her honour would be very soon perfectly established.' Had the astrologer waited a few months longer, to have read the confession of the miserable Constance Kent, he would perhaps have put a different sense on his moveable signs, just balances, and sunny and jovial aspects. Nor would this be a difficult task, for these fancies lend themselves to endless variety of new interpretation. And on such fancies and such interpretations, the great science of the stars has from first to last been based.

Looking at the details here selected as fair samples of symbolic magic, we may well ask the question, is there in the whole monstrous farrago no truth or value whatever? It appears that there is practically none, and that the world has been enthralled for ages by a blind belief in processes wholly irrelevant to their supposed results, and which might as well have been taken just the opposite way. Pliny justly saw in magic a study worthy of his especial attention, 'for the very reason that, being the most fraudulent of arts, it had prevailed throughout the world and through so many ages' (eo ipso quod fraudulentissima artium plurimum in toto terrarum orbe plurimisque seculis valuit). If it be asked how such a system could have held its ground, not merely in independence but in defiance of its own facts, a fair answer does not seem hard to give. In the first place, it must be borne in mind that occult science has not existed entirely in its own strength. Futile as its arts may be, they are associated in practice with other proceedings by no means futile. What are passed off as sacred omens, are often really the cunning man's shrewd guesses at the past and future. Divination serves to the sorcerer as a mask for real inquest, as when the ordeal gives him invaluable opportunity of examining the guilty, whose trembling hands and equivocating speech betray at once their secret and their utter belief in his power of