Page:Primitive Culture Vol 1.djvu/431

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BEAST FABLES.
413

the cleverly sustained combination of the beast's nature and the man's. How great the influence of the Reynard Epic was in the middle ages, may be judged from Reynard, Bruin, Chanticleer, being still names familiar to people who have no idea of their having been originally names of the characters in the great beast-fable. Even more remarkable are its traces in modern French. The donkey has its name of baudet from Baudoin, Baldwin the Ass. Common French dictionaries do not even contain the word goupil (vulpes), so effectually has the Latin name of the fox been driven out of use by his Frankish title in the Beast-Epic, Raginhard the Counsellor, Reinhart, Reynard, Renart, renard. The moralized apologues like Æsop's which Grimm contemptuously calls 'fables thinned down to mere moral and allegory,' 'a fourth watering of the old grapes into an insipid moral infusion,' are low in æsthetic quality as compared with the genuine beast-myths. Mythological critics will be apt to judge them after the manner of the child who said how convenient it was to have 'Moral' printed in Æsop's fables, that everybody might know what to skip.

The want of power of abstraction which has ever had such disastrous effect on the beliefs of mankind, confounding myth and chronicle, and crushing the spirit of history under the rubbish of literalized tradition, comes very clearly into view in the study of parable. The state of mind of the deaf, dumb, and blind Laura Bridgman, so instructive in illustrating the mental habits of uneducated though full-sensed men, displays in an extreme form the difficulty such men have in comprehending the unreality of any story. She could not be made to see that arithmetical problems were anything but statements of concrete fact, and when her teacher asked her, 'If you can buy a barrel of cider for four dollars, how much can you buy for one dollar?' she replied quite simply, 'I cannot give much for cider, because it is very sour.'[1] It is a surprising instance of this tendency to concretism, that among people so civilized

  1. Account of Laura Bridgman, p. 120.