in the style of Fuseli's Eve, were the first things we met in Italy.
This city is very agreeable. We went to the opera last night—which is a most splendid exhibition. The opera itself was not a favourite, and the singers very inferior to our own. But the ballet, or rather a kind of melodrame or pantomimic drama, was the most splendid spectacle I ever saw. We have no Miss Melanie here—in every other respect, Milan is unquestionably superior. The manner in which language is translated into gesture, the complete and full effect of the whole as illustrating the history in question, the unaffected self-possession of each of the actors, even to the children, made this choral drama more impressive than I could have conceived possible. The story is Othello, and strange to say, it left no disagreeable impression.
I write, but I am not in the humour to write, and you must expect longer, if not more entertaining, letters soon—that is, in a week or so—when I am a little recovered from my journey. Pray tell us all the news with regard to our own offspring, whom we left at nurse in England; as well as those of our friends. Mention Cobbett and politics too—and Hunt—to whom Mary is now writing—and particularly your own plans and yourself. You shall hear more of me and my plans soon. My health is improved already—and my spirits something—and I have many literary schemes, and one in particular—which I thirst to be settled that I may begin. I have ordered Ollier to send you some sheets &c. for revision.
Adieu.—Always faithfully yours,
P. B. S.
