the tortures of Job, who suffered under the power of Satan and of God, and who himself, without suspecting it, became a plaything of the superhuman forces which we no longer consider as metaphysical, but as metapsychological. Faust also offers us the same exhibition of God's wager.
Mephistopheles:
- What will you bet? There's still a chance to gain him
- If unto me full leave you give
- Gently upon my road to train him!
Satan:
- But put forth thine hand now, and touch all that he hath, and he will curse thee to thy face.—Job i: ii.
While in Job the two great tendencies are characterized simply as good and bad, the problem in Faust is a pronouncedly erotic one; viz., the battle between sublimation and eros, in which the Devil is strikingly characterized through the fitting rôle of the erotic tempter. The erotic is lacking in Job; at the same time Job is not conscious of the conflict within his own soul; he even continuously disputes the arguments of his friends who wish to convince him of evil in his own heart. To this extent, one might say that Faust is considerably more honorable since he openly confesses to the torments of his soul.
Miss Miller acts like Job; she says nothing, and lets the evil and the good come from the other world, from the metapsychologic. Therefore, the identification with Job is also significant in this respect. A wider, and, in-
