to Royalty, and that later they appeared in England, and became, as it were, acclimatised. Colour is lent to this belief by the record of a display given on a float by the King of Denmark in 1606 upon his departure from this country, where he had been on a visit to his brother-in-law, James I.
This exhibition seems to have given James a taste for fireworks, and one at least of the Danish artists appears to have remained in this country, as some months after James had a display carried out by "a Dane, two Dutchmen, and Sir Thomas Challoner."
In 1572 a firework display was given in the Temple Fields, Warwick, by the Earl of Warwick, then Master-General of the Ordnance. The occasion was a visit to the castle by Queen Elizabeth, who appears to have been rather partial to such exhibitions.
The display consisted of a mimic battle, with two canvas forts for a setting; noise was provided by the discharge of ordnance of various sizes; the fireworks proper seem to have taken the form of flights of rockets. The display was evidently conducted in a somewhat reckless manner, some houses being set on fire, and some completely destroyed, the two inhabitants of which are said in a contemporary report to have been in bed and asleep, although how that could be with continuous discharge from twenty pieces of ordnance, to say nothing of "qualivers and harquebuses," in the immediate neighbourhood, is to say the least curious.
Two other displays attended by Elizabeth were those at Kenilworth in 1572 and at Elvetham in 1591.
The first European people to make headway in the art of pyrotechny proper appear to have been the Italians. Vanochio, an Italian, in a work on artillery, dated 1572, attributes to the Florentines and Viennese the honour of being the first who made fireworks on erections of wood, decorated with statues
