the powerful support of Sir Robert Peel was obtained, and the use of a site in Hyde Park, selected by the Prince, was sanctioned by the Government. Out of 234 plans for the exhibition building, the Prince chose that of Joseph Paxton, famous as a designer of gigantic conservatories; and the work was on the point of being put in hand when a series of unexpected difficulties arose. Opposition to the whole scheme, which had long been smouldering in various quarters, suddenly burst forth. There was an outcry, headed by The Times, against the use of the park for the exhibition; for a moment it seemed as if the building would be relegated to a suburb; but, after a fierce debate in the House, the supporters of the site in the Park won the day. Then it appeared that the project lacked a sufficient financial backing; but this obstacle, too, was surmounted, and eventually L200,000 was subscribed as a guarantee fund. The enormous glass edifice rose higher and higher, covering acres and enclosing towering elm trees beneath its roof: and then the fury of its enemies reached a climax. The fashionable, the cautious, the Protectionists, the pious, all joined in the hue and cry. It was pointed out that the Exhibition would serve as a rallying point for all the ruffians in England, for all the malcontents in Europe;
