etching, written with a shuddering soul. There is an intensity of consideration in the piece that shows it to be the transcript of familiar thoughts. It is the quintessence of many a doleful nightmare on the straw, when he felt himself swing helpless in the wind, and saw the birds turn about him, screaming and menacing his eyes.
And, after all, the Parliament changed his sentence into one of banishment; and to Roussillon, in Dauphiny, our poet must carry his woes without delay. Travellers between Lyons and Marseilles may remember a station on the line, some way below Vienne, where the Rhone fleets seaward between vine-clad hills. This was Villon's Siberia. It would be a little warm in summer perhaps, and a little cold in winter in that draughty valley between two great mountain fields; but what with the hills, and the racing river, and the fiery Rhone wines, he was little to be pitied on the conditions of his exile. Villon, in a remarkably bad ballad, written in a breath, heartily thanked and fulsomely belauded the Parliament; the envoi, like the proverbial postscript of a lady's letter, containing the pith of his performance in a request for three days' delay to settle his affairs and bid his friends farewell. He was probably not followed out of Paris, like Antoine Fradin, the popular preacher, another exile of a few years later, by weeping
