By the necessity of the case, all the more neutral circumstances are omitted from his narrative; and that of itself, by the negative exaggeration of which I have spoken in the text, lends to the matter in hand a certain false and specious glitter. By the necessity of the case, again, he is forced to view his subject throughout in a particular illumination, like a studio artifice. Like Hales with Pepys, he must nearly break his sitter's neck to get the proper shadows on the portrait. It is from one side only that he has time to represent his subject. The side selected will either be the one most striking to himself, or the one most obscured by controversy; and in both cases that will be the one most liable to strained and sophisticated reading. In a biography, this and that is displayed; the hero is seen at home, playing the flute; the different tendencies of his work come, one after another, into notice; and thus something like a true, general impression of the subject may at last be struck. But in the short study, the writer, having seized his "point of view," must keep his eye steadily to that. He seeks, perhaps, rather to differentiate than truly to characterise. The proportions of the sitter must be sacrificed to the pro-
