contemptuous censures of the effeminacy of the Italians—diatribes against the vice and cowardice of the nobles—sneers at the courtly verses of the poets, who were content to celebrate a marriage or a birth among the great:—their learned men fared better, for there were always writers in Italy whose names adorned European letters—yet still contempt was the general tone; and of late years travellers (with the exception of Lady Morgan, whose book is dear to the Italians), parrot the same, not because these things still exist, but because they know no better.
Italy is, indeed, much changed. Their historians no longer limit themselves to disputing dates, but burn with enthusiasm for liberty; their poets, Manzoni and Niccolini at their head, direct their efforts to elevating and invigorating the public mind. The country itself wears a new aspect; it is struggling with its fetters,—not only with the material ones that weigh on it so heavily, and which they endure with a keen sense of shame, but with those that have entered into and bind the soul—superstition, luxury, servility, indolence, violence, vice.
