by vases of Sèvre china and by portraits of himself and Josephine, presents from the conqueror to the conquered, which were impertinent enough at the time; but the spirit is changed now, and they remain as trophies of Prussian victories. I looked with great interest on the various portraits of the celebrated Queen of Prussia. In all, she is inexpressibly beautiful. Her face is thoroughly individual;—animation—independence—a truly feminine, yet, (for want of a better word I must say,) a wild loveliness gives it a peculiar charm. There is a portrait of her at twelve years of age—dignity, true nobility, artless innocence, and evident strength of character, adorn a countenance in the first bloom of untainted girlhood.
We visited the Museum. I did not much care for what I saw. There are many relics of Frederic the Great, and a wax figure, dressed up in his old clothes, is placed on a faded throne beneath a shabby canopy—all such as he used in life. There is nothing to excite respect in this sort of spectacle. It is the misfortune of those who live to be old that they are always handed down to posterity as decrepid and feeble. If I were a queen, I would never suffer myself to be painted after thirty; or, if well preserved, five-and-thirty at the latest. Queens and beauties—kings and heroes—all must pay our nature’s sad
