Page:Rebels and reformers (1919).djvu/113

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of his plays have survived, and outside Spain the name of Lope de Vega is but little known to-day. The Spanish drama of this period was the model copied by other countries. The bustling farce originated in Spain, and Elizabethan and Jacobean writers took many of the plots for their plays from Spanish dramatists.

But Cervantes could not make a living out of writing; unlike Lope, he had no powerful and influential friends. He had therefore to look for other employment. The Invincible Armada was just then being fitted up, and he got a post as agent for collecting provisions, and afterwards he was appointed to the very humble position of tax-collector—an occupation he must have hated, as he got into trouble more than once, having to pay the debts of people whom he had trusted too much. He applied for a higher post in the Government service, but his petition was dismissed and he was forced to continue the distasteful work at a reduced salary, falling into such extreme poverty at one time that he actually was in need of common cloth to cover his nakedness. His unbusinesslike habits made people suspect his honesty. He drifted lower and lower, until at last he was imprisoned in Seville for mistakes in his accounts. From the court he could expect nothing. Philip was not likely to be sympathetic to a struggling writer or even grateful to an old soldier, and prayers from Cervantes were set aside unanswered. Nor when Philip's