exclaimed, "Voilà la différence entre une bonne bouche et une mauvaise haleine."
The following bon mot was also attributed to the Count: General Ornano, observing a certain nobleman—who, by some misfortune in his youth, lost the use of his legs—in a Bath chair, which he wheeled about, inquired the name of the English peer; D'Orsay answered, "Père la Chaise."
The Count had many disciples among our men of fashion, but none of them succeeded in copying the original. His death produced, both in London and in Paris, a deep and universal regret. The Count's life has been so well delineated in the public prints that nothing I could say would add to the praise that has been bestowed upon him. Perfectly natural in manners and language, highly accomplished, and never betraying the slightest affectation or pretension, he had formed friendships with some of the noblest and most accomplished men in England. He was also a great favourite in Paris, where he had begun to exercise his talent as an artist, when death prematurely removed him from society.
