"Ah, but we do not stand for the commercial life," object the refined, scholarly, and professional men. They also are sleep-walkers. They do not stand for the commercial life, but neither do they stand against it with all their strength. They submit to it, to the brutality and carnage of it. They develop classical economists who announce that the only possible way for men and women to get food and shelter is by the existing method. They produce university professors, men who claim the role of teachers, and who at the same time claim that the austere ideal of learning is passionless pursuit of passionless intelligence. They serve the men who lead the commercial life, give to their sons somnambulistic educations, preach that sleep-walking is the only way to walk, and that the persons who walk otherwise are atavisms or anarchists. They paint pictures for the commercial men, write books for them, sing songs for them, act plays for them, and dose them with various drugs when their bodies have grown gross or dyspeptic from overeating and lack of exercise.
Then there are the good, kind somnambulists who don't prize-fight, who don't play the commercial
